| Music Year 7 Block 4 - Programme Music Music Home Page |
SUGGESTED
ACTIVITIES
AND RESOURCES
(listening, composing,
performing or ICT
– those highlighted
must be assessed)
|
Sub-topic/Skill |
Possible Activities |
Possible Resources |
|
Introduction of programme
idea |
*
Teacher demonstration of programme techniques * Pupils
create short, simple programme task in pairs *
Programme listening examples |
* Simple story involving
an elephant and a mouse * Story of bird waking
up, taking flight, then…? * “Ma Vlast” resources |
|
Development of performing
skills via programme piece |
* Performance
of Promenade theme from Mussourgsky’s “Pictures at an Exhibition” *L2L:
MY THINKING: Memory skills (Mnemonics) Methods of learning
the notes on the stave and on the keyboard reinforced. |
* Promenade keyboard piece |
|
Musical elements
introduction and reinforcement |
*
Listening/discussion of pieces which significantly
utilise texture, tempo, pitch or dynamics in a variety of
ways * Teaching
of given simple melody and pupils asked to vary it using one of the
musical elements *
“Pictures
at an Exhibition” listening task to test understanding of
elements |
* Various listening
examples * “Pictures…” resources |
|
Understanding of graphic
score technique |
*
Matching given scores to listening examples *
Drawing of own score from given musical piece *
L2L: MY LEARNING: Understand their own learning styles (VAK – all three) Pupils rotate in
groups of three: One draws graphic symbols on cards, one places them on
a sheet, one performs. |
* Chinese pieces from MM
(if not already used) |
|
Illustration of basic
chord types |
*
Listening examples to illustrate function of different chords * Whole class
performance task featuring four main chord types |
* Set of given questions * “Twist and Shout”/”La
Bamba” chords for major |
|
Own programmatic
compositions |
*
L2L: MY PEERS: Collaborate effectively (Suggesting ideas) Pupils have a box
into which they throw in as many separate ideas as possible based on
their given stimulus, before drawing them out for discussion. *
Composition of pupils’ own programme pieces based on
one of:
* single picture
* storyboard
* title only (Compositions
should include clear use of all musical elements and at least one
example of chords work) (The use of
graphic scores to record ideas should be reminded and encouraged) |
* Range of stimuli for
composing |
|
Summary of learning |
* Homework to summarise
understanding of terminology covered. |
* Set of given questions |
AN EXAMPLE
LESSON-BY-LESSON PLAN
This
is an extremely broad summary of the order in which tasks
may be tackled. Lessons must feature some form of starter
(which may be
a discussion point to engage pupils for learning) and a plenary (which
may be a
summary of work covered and suggested future developments). Within
extended
performing/composing tasks, brief and informal interim peer-assessments
should
break up the work wherever possible.
Lesson 1
Programme
music illustrated through teacher example and brief composing task
Lesson 2
*L2L: MY
THINKING: Memory skills (Mnemonics)
Lesson 3
Lesson 4
Lesson 5
* L2L: MY
LEARNING: Understand their own learning styles (VAK – all three)
Pupils rotate in
groups of three: One draws graphic symbols on cards,
one places them on a sheet, one performs.
Lesson 6
Explanation
of composing task/allocation of groups
* L2L: MY
PEERS: Collaborate effectively (Suggesting ideas)
Pupils have a box
into which they throw in as many separate ideas as
possible based on their given stimulus, before drawing them out for
discussion.
Lesson 7
Continuation
of programmatic composing task
(including
reminders of approaches to notation)
Lesson 8
Continuation
of programmatic composing task
Lesson 9
Sharing
of completed work for assessment
ASSESSMENT
A (5) Either entire right-hand
part or top two lines with both hands performed accurately
(“perform
significant parts…from notations with awareness of their own
contribution”)
B (4) Top line of right-hand
part performed completely accurately
(“performing…from
simple notations they maintain their
own part with awareness of how the different parts fit”)
C (3) Only a limited amount of
the given melody performed accurately
(“perform
rhythmically simple parts that use a limited
range of notes”)
D (2) Melody completely
unrecognisable or non-attempt
(unable to meet
quote above)
A
numerical mark is given then converted to an A-D grade, possibly:
A (5) 15 or above
(“evaluate
how venue, occasion and purpose affects the way music is created,
performed and
heard”)
B (4) 12 to 14
(“describe,
compare and evaluate different kinds of
music using an appropriate musical vocabulary”)
C (3) 6 to 11
(“recognise how
the different musical elements are
combined and used”)
D (2) 5 or below
(unable to meet
quote above)
Lesson 9 – Composition of programme pieces
A (5)
At least three ideas were contributed
which showed greater complexity and coherence (“using
appropriate musical devices such as melody, rhythms, chords and
structures”)
B (4)
Three ideas were contributed but were
more limited in complexity
(“compose by
developing ideas within musical structures”)
C (3)
Contributed less than three ideas
and/or these contributed little to the piece
(“combine several layers of
sound with awareness of the combined effect”)
D (2) Pupil did not meet the
demands of this task
(unable to meet
quote above)